<strong>ملخص الدراسة:</strong>

This paper deals with the study of archaeological art analytical thirteen Grave Inscriptions unpublished from Najran preserved in the Museum of Najran of Antiquities and Heritage, which is characterized mostly as dated from the sixth century AH - twelfth century and until the eighth century AH - the fourth century AD, as well as witness one can be attributed to a century 4 e -10 m is Gravestone Juhayna girl Abdullah bin Ibrahim bin hazema, where the researchers read the inscriptions read correctly and analyze technical analysis through methods lines that are written, types, and analyzing and comparing what untouched from decorative elements and artistic, and formulas for verbal, in addition to the history of non-dated inscriptions studying the types of lines and the implementation method and compared with those of both in Najran or in other regions of the Hijaz, especially the Mecca region which was Najran region associated in many historical stages.

ملخص الدراسة:

This paper deals with the study of archaeological art analytical thirteen Grave Inscriptions unpublished from Najran preserved in the Museum of Najran of Antiquities and Heritage, which is characterized mostly as dated from the sixth century AH – twelfth century and until the eighth century AH – the fourth century AD, as well as witness one can be attributed to a century 4 e -10 m is Gravestone Juhayna girl Abdullah bin Ibrahim bin hazema, where the researchers read the inscriptions read correctly and analyze technical analysis through methods lines that are written, types, and analyzing and comparing what untouched from decorative elements and artistic, and formulas for verbal, in addition to the history of non-dated inscriptions studying the types of lines and the implementation method and compared with those of both in Najran or in other regions of the Hijaz, especially the Mecca region which was Najran region associated in many historical stages.